From REVIEWS of Everything Must Change:
 
Krebs has the latitude to make the music she wants to make and add her own special sauce as and when needed.  Here we have an intimate, gutsy jazz vocal date...and she once again shows that she can handle any facet of jazz singing.   (Chris Spector/Midwest Record)
 
Krebs' music wraps itself around the listener like a big hug. How can one not enjoy the whole grain, organic pleasure of jazz classics about spring, love, flowers, and stars?   (Joe Ross/BlogCritics.org)
 
Krebs displays her love of good songs, as well as the emotional and symbiotic relationship that she intimately has with them. Throughout the entire set she exudes confidence, delivering the musical goods...a sincere singer whose ballads and sense of swing remind me of Shirley Horn.
(Joe Ross/BlogCritics.org)
 
Refreshing...A wonderfully eclectic release with a warm rich sound that works hand in glove with her vocals... the spotlight on the music which Krebs delivers with a refreshing honesty and clearly shows her comfort zone as an artist.        (Brent Black/CriticalJazz.Com)
 
The joy of making music is nice. The joy of making good music is Susan Krebs.     (Brent Black/CriticalJazz.Com)
 
From REVIEWS of JAZZ AVIARY:
 
In JAZZ AVIARY, Krebs has created a rare and mesmerizing creative experience. (Don Heckman/Int'l Review of Music)
 
Irresistible offerings from a formidable jazz artist.  (All Music Guide)
 
Krebs' interpretive passion, intelligence, and love for the project can be heard throughout.  (JAZZ IMPROV MAGAZINE)
 
Blessedly free of affectation, Krebs rivals Karrin Allyson and Diana Krall in her ability to climb inside a lyric and make it seem she's lived there her entire life.  (JAZZ TIMES)
 
Krebs and her amazing musicians have created something of singular beauty.  (LA Jazz Scene)
 
...a series of delicate yet masterfully constructed origami creatures.  (JAZZ TIMES)